Wednesday, 25 January 2012


I attended a drawing with mixed media & technique workshop at the Bristol Drawing School. The workshop was tutored by Ruth Wallace. Five hours drawing - bliss!

Many of the techniques involved painting the surface of the paper, sometimes adding a further layer of charcoal or ink and then, scratching out or lifting this off to reveal the original layer. This was an exciting way of working and very useful to be able to draw by creating a white line.

Tuesday, 10 January 2012

Winter Cattle

Today, whilst out walking, I came upon these beautiful monochrome beasts basking themselves in the January sunshine.

I was struck by both the size and angular shapes of these animals, which are Galloway Belted cattle.

In the sketch below I used a marker pen to depict the smaller cow and pencil & fine liner for the larger one & the tree. The  strength of the marker brings the smaller animal closer, whilst the other is pushed into the background by the lighter tone of the pencil.

Sunday, 1 January 2012

Why no white?

I recently read the following review of a set of watercolours on Amazon UK:

'I purchased this for my daughter who is taking GCSE art. There is a nice range of colours (but no white) and the white plastic box they come in is sturdy.'

 My inner watercolour geek could not resist adding a comment..........

Traditional watercolour techniques do not use white and this is why many sets do not include it. Watercolours are by nature transparent; this is their unique quality & adds to their beauty. It is this transparency that gives  the colours their vibrancy. It also enables them to be layered, creating many exciting effects. If white is added to the paint, it becomes dull, opaque & flat & is then, little different to gouache. 
The key to creating lighter tones is not to add white, but to add water to dilute the paint & allow more of the white of the paper to show through. There are, of course, many sets, such as the one above, which do include white, but I would strongly recommend that you work on developing the techniques (& self-restraint!)  to create lighter tones without it's use. Your work will have a clarity & vibrancy that is impossible to achieve by other methods.

PS. If you look closely at the photo above, you will see that my brush has never touched the white paint in this box!